VAATA

Raga Vela by Palleni EN - VELA , whose meaning in Sanskrit is time or tide , is the fourth studio reco rding of the open collection Contemporary Raga , and also the most elaborated one so far. For this piece I wanted a l evantine rhythm to confer a certain lightness to the dark colors I chose for the harmonies. The resulting theme has a deep, airy and at the same time sparkling character, whose coruscating light tells of pinnacles, shadowy oases and caravans on Central Asia desert routes. Special guests for this recording are Alessandro Tutoli, exquisite Italian guitarist, and Joko Tebon, Javanese percussionist of rare sensitivity. Together they have contributed to tinge the music with mystery. The opening head is played by the saxophones is followed by Alessandro’s dazzling solo, who embellishes the basic harmonic structure with flamenco-flavored chromatisms and arabesques, supported by the breath of the pulsation woven by Joko on his ethnic percussions, together they create an evo

Amala by Stefano Scippa Palleni EN - I recorded this version of the song Amala in the porch of my house one evening after a storm, the air was fresh and scented. Incidentally I didn't play the sequence of notes I had written for the original melody, instead a variation came to my mind on the moment and turned out to be better than the former, thus I choose to adopt it. This recorded version of the same composition I filmed on the beach not long ago also gave me the idea to introduce the main theme with a short improvisation based on the oriental scale, followed thereafter by the melody. It's a short but effective vehicle for the mood I want to express: a feeling of purity and moving intimacy, just as the meaning of the word Amala  that stands for pure in Sanskrit .  Good listening.  IT - Ho registrato questa versione della mia composizione Amala sotto il portico di casa una sera dopo un temporale, l'aria era fresca e profumata. Casualmente non ho suonato la sequenza di n

Nivata by VAATA EN - Nivata is the second studio recording in the Contemporary Raga series, after the composition Krayang . In sanskrit nivata is a beautiful smooth sounding word, meaning valley. This purely idyllic melody, set in a simple harmony shifting between two  major chords a sixth apart, is the image of Malang valley where I spent the last four years. The frogs croaking, the crickets and cicadas chirrup were the blissful burst  plunged in the paddy into the shadows of the volcanos, an endless chant in  the starry nights. Thus I included the original sample as a complementary part of the song, along with the guitar and alto saxophone. I hope it contributes to render the dreamy atmosphere of those astounding moments. IT - Nivata è la seconda composizione registrata in studio della serie Contemporary Raga dopo la composizione Krayang . In sanscrito nivata è una bella parola dal suono dolce che significa valle. Questa melodia idilliaca è costruita su una semplice armonia che s

Krayang by Stefano Scippa Palleni EN - The first song drawn from the Contemporary Raga open collection that I release here in studio version is Krayang , while the previous two were recorded live in two videos. Krayang - heron in Thai language - is a pensive and melancholy composition that recalls the advent of the rainy season in Southeast Asia, full of lush and mysterious atmospheres. I developed this melody out of an early fragment that came to my mind in Thailand in 2017, when I was looking out the window and saw a marsh bird standing still on one leg in the middle of the paddy field. The morning mist hovering over the country made the scene look like a dream. The costant presence of water brought by the arrival of the monsoon, along with the colors and the changes in the rhythms of daily life, has no equivalent in Europe but can vaguely recall Autumn. This piece includes harmonic and melodic elements typical of traditional Javanese music with its elusive scales and ambiguous tun

On July 16th 2022 I was invited by a local Indonesian association to introduce my recent compositions and work in music therapy in Indonesia. This occasion gave the opportunity to test the effectiveness of the material on the audience in a fresh cultural environment. I also had the chance to play with new bandmates and ask for their opinion about the new songs. Joko Tebon, the host musician, and Toni Praptono joined me on this event, the first on didgeridoo and ethnic percussions and the latter bringing on stage his original instrument: the guitarsitar, a hybrid scratch built lute made by Toni starting from the body of an old 12 strings guitar with the insert neck and the frets of a sitar. The selection we played is part of a larger project called Contemporary Ragas. The tunes in this repertoire combine modern music with the traditional concept of Indian raga. The purpose of this music is yet artistic, therapeutic, didactic and meditational. This means it fits different kinds of situat

EN - The Raga Amala ( Pure in Sanskrit ) is the second in the series of the open collection Contemporary Raga . The song has a sinuous and mysterious character and uses a eastern scale and melody. Again, as in the case of the Raga Udaya , the recording was done in the natural setting of the beach. The philosophy remains the same, only minimal equipment and post production was adopted for the realization of this raga: an ordinary smartphone, a hand recorder and a little speaker for the shruti box in the background. For this you can sometimes hear the waves’ roar and the wind howling. I believe this relatively lo-fi approach is the one that better pictures the feeling of being there in the moment, just like a polaroid. It’s also a way to encourage everyone to produce their own music whatever the conditions. Capturing art in this way makes it affordable to anyone and doesn’t diminish the quality of your work. In this regard digital technology can be used effectively at your own advantag

La mia ricerca personale riguardo la spiritualità nelle tradizioni antiche, iniziata più di trent'anni fa, mi ha condotto a chiarire soprattutto a me stesso il significato del concetto di illuminazione, proprio delle filosofie orientali e oggi di uso comune anche nel linguaggio quotidiano. I viaggi, insieme agli studi, mi hanno offerto l'opportunit à  di immergermi nella cultura asiatica per ricavarne una sintesi che si può già cogliere direttamente nel termine, mentre in occidente la sua definizione si è diluita assumendo un carattere vago e indefinito, oppure è stata resa inaccessibile ai più dalle definizioni accademiche. Tutto ciò contribuisce a generare confusione attorno un tema cardine che dovrebbe essere di immediata comprensione, per afferrarne il vero significato va quindi depurato del misticismo inflazionato e banale da cui oggi è connotato. Per questo ho deciso di condividere, cercando di spiegare in modo semplice, le conclusioni alle quali sono arrivato, nella sper

  🇬🇧 PSYCHOLOGY OF FINANCE - Recently I’ve been invited by the renowned Brawijaya University of Malang to talk about financial psychology. As a psychologist and active investor I had the opportunity to share my ten-years experience in the sector in a meeting directed to investors and savers of all levels. I talked about the role of emotions and neurochemistry involved in investments. I exposed the behaviors to be avoided and the correct mindset to prevent big financial losses. An overview with insights to prevent falling into gambling addiction was offered along with a list of the cognitive distortions that lead to the most common assessment misjudgments. The conference is visible at the YouTube link below. 🇮🇹 PSICOLOGIA FINANZIARIA - Recentemente sono stato ospite presso la facoltà di economia della prestigiosa Università Brawijaya per parlare di psicologia finanziaria. In qualità di psicologo e attivo investitore ho potuto condividere la mia esperienza ormai decennale nel settore

  🇬🇧 ON THE SECOND SKIN - Since I came to Indonesia I began to design and tailor my own dresses, whether I wear them at public events or at home for daily use. I want them to be comfortable, elegant and colorful. The idea came long time ago after I read artist Friedrich Hundertwasser manifesto on fashion about the "Second Skin". What we choose to wear everyday is more than just a dress: it's like an extra skin that contribute to shape the nature of our social identity. In contemporaty society these aesthetic canons are dictated by the trends of commercial fashion and the individual personality is cancealed by the necessity of industrial production. We want to express our character free from the precepts of mass fashion that impose restricted identities. We therefore can forge our own image through making our own clothes as an evoluted children's game and make our life a creative artistic expression. Since I am here I got the opportunity to put this principle in prac

EN - August 2018, when I was still in Italy, I took the chance to record a series of sessions at the Basilica di Santa Maria dei Servi in Bologna, which features a resounding acoustic and one of the most beautiful and oldest porches in the world. In this setting I took quick shootings of some original compositions that would later become the open collection Contemporary Raga using just two smartphones and a digital recording. I also decided to take advantage of the ambiance to document some classical pieces I had been working on for a long time, mostly arias from the baroque era that fit the place so well. Among these a selection of JS Bach’s Partitas and Sonatas for violin solo adapted for the soprano saxophone as this Allemande opening the 2 nd Partita in D Minor. I recently came to the decision to include it in the open collection Songs Of Bliss due to the particular nature of the context. Other tunes of this kind will be added in the future along with original compositions. A n